The Oath of Rhain

This is the oath of the hunter,
these are the terms set in place,
that he may roam forever free
but never surrender the chase.

Rhain, known to all as the Reaper,
countless are those I have slain.
My prey cannot outrun their fate
from the moment they hear my name.

I shall chase them to the world's edge,
my pursuit will never case.
Through the wind, the snow and the fire
nevermore will my prey know peace.

I shall bring my trophies to bear
and my task will be complete,
for I will not be eluded
I will never be dealt defeat.

This is the oath of the hunter,
these are the terms set in place,
that I may roam forever free
but never surrender the chase.

NaPoWriMo #13: The Waking Weta

In the hollowed-out trunk
of a long dead tree,
the dead frost of winter
makes the old bark freeze.


A weta, king of crickets,
lets the frost take hold.
Sleeping, frozen in state,
a guest of the cold.


Spring disperses winter,
frees the weta's jaws.
Awake with new hunger,
time to hunt once more.

NaPoWriMo #2: Rhythm and Verse and All Things Worse

So we start a new poem,
a stream of verse,
and with a rhyme scheme we begin to converse.

But how about going with the flow,
less of a structure and more of a never-ending discourse?
'Yes,' said the Poet-in-Chief, 'That's a good idea.'
But how many lines, what sort of syllabic construct should we use?

'It doesn't matter really,'

said

the Poet

-in-

Chief.

'Oh look at that, you've got the tense mixed up again.
Pick one for the next stanza and stick with it.'

Here goes a present tense poem,
tricky, but I'll try and hold 'em.
All those phrases, hundreds of them,
waiting to be placed in line.
Not a place for feeble writing,
you can try or go down fighting,
without additional lighting,
you can write some Allan Poe,
write Edgar Allan Poe meters,
the type would-be poets know,
such wondrous verse with the flow.

What about the villanelle, my old friend?
When free verse leads your meter astray,
can this tremendous form make amends?

Dylan Thomas knew, this was his trend,
he knew the power the form could convey,
what about the villanelle, my old friend?

Perhaps the sonnet could clear this mess up?
The form of love, strife, effective verse.
Good old Shakespeare used them in his line-up,
he had over a hundred in his purse
to be used when love or grief would beckon
and all his inner thoughts came spilling out,
though there are many scholars who reckon
they're not sure who he was talking about.
Yet it's handy for writing poetry quick,
the sonnet's short, rhymes and has great rhythm.
It's concise, lyrical, short and succinct,
a wonderful, potent algorithm.
Yet I wonder if we're viewing this wrong?
Let's try another form to end this song.

When all's said and done, verse is the worst,
so many meters and forms to rehearse.
Still, you can use any form or none at all
when you ride down the poetry waterfall.

NaPoWriMo #28: Walking Catfish Wanderings

As the finish line of NaPoWriMo looms near, it's time to tackle another of their optional prompts. This time, the challenge is to use Skeltonic verse, pioneered by the fifteenth century English poet John Skelton. Put simply, it involves the use of short stanzas mixed with a vague rhyming scheme and two strong stresses per line. Here it goes.

Walking Catfish Wanderings

A catfish goes walking
and without talking
ponders life on the jungle floor
which it has not seen before.

Its pool is dry
and it must try
to search for new pastures
and squirm a bit faster

with spines on its gills,
with which it could climb hills
as it wills itself across
the land of twigs and moss

to find a small stream
with just a gleam
of light through the leaves
and finally it heaves

itself into the flow
where no other fish can go
and submerges below the surface,
having travelled the furthest

of any fish across land,
done without any hands,
a fish with instinct so strong
its journey did not go wrong.