NaPoWriMo #23: Rivers of Coal

Up in the hills where the collieries sleep,
where the railway tracks are submerged in moss,
the wheels atop the tower seem to weep
the stones in the blacksmith's yard are all glossed
in a dwindling frost fleeing from the spring.
Caverns beneath the hills vast and still,
adorning the grey cliffs to which they cling,
sheltering sheep against the mountain chill.
The descendants live in the past's shadow
claim the ruins for their own, make them new,
no longer the halls where molten fires flow
but a monument to the mining crew.
Within these hills run the rivers of coal
that brought to the valleys their heart and soul

(And so, to celebrate the birthday of his majesty the Shakespeare, I bring you a sonnet about that most familiar of Welsh subjects.)

NaPoWriMo #2: Rhythm and Verse and All Things Worse

So we start a new poem,
a stream of verse,
and with a rhyme scheme we begin to converse.

But how about going with the flow,
less of a structure and more of a never-ending discourse?
'Yes,' said the Poet-in-Chief, 'That's a good idea.'
But how many lines, what sort of syllabic construct should we use?

'It doesn't matter really,'

said

the Poet

-in-

Chief.

'Oh look at that, you've got the tense mixed up again.
Pick one for the next stanza and stick with it.'

Here goes a present tense poem,
tricky, but I'll try and hold 'em.
All those phrases, hundreds of them,
waiting to be placed in line.
Not a place for feeble writing,
you can try or go down fighting,
without additional lighting,
you can write some Allan Poe,
write Edgar Allan Poe meters,
the type would-be poets know,
such wondrous verse with the flow.

What about the villanelle, my old friend?
When free verse leads your meter astray,
can this tremendous form make amends?

Dylan Thomas knew, this was his trend,
he knew the power the form could convey,
what about the villanelle, my old friend?

Perhaps the sonnet could clear this mess up?
The form of love, strife, effective verse.
Good old Shakespeare used them in his line-up,
he had over a hundred in his purse
to be used when love or grief would beckon
and all his inner thoughts came spilling out,
though there are many scholars who reckon
they're not sure who he was talking about.
Yet it's handy for writing poetry quick,
the sonnet's short, rhymes and has great rhythm.
It's concise, lyrical, short and succinct,
a wonderful, potent algorithm.
Yet I wonder if we're viewing this wrong?
Let's try another form to end this song.

When all's said and done, verse is the worst,
so many meters and forms to rehearse.
Still, you can use any form or none at all
when you ride down the poetry waterfall.

NaPoWriMo #23: Sonnet from Stratford

It seems the end is in sight for this year's NaPoWriMo, but there's still a fair way to go. I've just returned from Stratford-upon-Avon where I visited William Shakespeare's birthplace and his new place. Seeing as today is his 401st birthday, here's a sonnet about how I felt while wandering around his garden.

Sonnet from Stratford

I find myself in a poet's garden,
a vibrant and complex oasis
where every flower is as ardent
as the meanings they gifted to this
poet of poets who heard the dawn lark
and decided that one could not face it,
the morning arrived to cast out the dark,
the grasp of the mortal coils which trace it,
a strange world where all who seek to explore
and profit from its bounty, the question
for the poet sat outside his back door
to answer in words with no digression.
  Now I hear those words as spoken today
  and seek for answers lest they go astray.