after Kenneth Anderson, Man-Eaters and Jungle Killers
The last light of day leaves the fields.
A blazing torch flickers through
the darkness on the road in Mysore.
A woodcutter on his way home
hears a snort somewhere ahead
and the crush of figs under heavy paws.
He approaches the noise through the trees
and spots a figure in the brush.
There is a flash of black fur
in the glare of the woodcutter's torch.
Long claws blunted on termite mounds
lunge out and the fire is gone.
The morning light reveals a corpse.
Red coils protruding from a stomach,
eyes and nose bitten out and ripped
from their vacant sockets,
and a bloody tapestry of muscle
where there was once a face.
Showing posts with label sloth bear. Show all posts
Showing posts with label sloth bear. Show all posts
Thursday, 27 September 2018
Wednesday, 5 April 2017
NaPoWriMo #5: King of Cats
It's time for another tiger poem. This one was inspired by a prompt from the NaPoWriMo site, which encouraged participants to write a poem based in the natural world, in line with the work of Mary Oliver. It could be about a plant, animal or location and preferably one you have experienced often. So here's my attempt.
King of Cats
The last vestige
of a bygone time
when beasts still ruled
and humans huddled
around campfires,
telling stories
of the tiger.
The golden eyes of authority,
the only source of it
in the entire jungle.
No leopard or sloth bear
can match its grace
or the power with which
it pulls down a sambar stag
or duels with a bull guar.
Stripes, oily black,
on a burning coat of fur,
the emblazoned symbol
of an entire nation.
Humans appropriate its image,
worship its primal majesty,
fear its savagery when they step
into its isolated domain.
Yet in the face of a tiger
rests hopes for the future,
a future devoid of fear
of man-made extinction.
All things have their time,
but theirs is approaching sooner
in the form of snares, traps
and the weaponry of man.
Poets attempt to encapsulate
the tiger's immortality,
yet it is a construct,
a poetic device disguising
the battleground of the old jungles,
the trails of skins
leading across Asia.
A tigress sits in her den,
tending to her mewling cubs,
their young stripes help light the flame
which burned for millions of years,
faced with being extinguished
before its time.
King of Cats
The last vestige
of a bygone time
when beasts still ruled
and humans huddled
around campfires,
telling stories
of the tiger.
The golden eyes of authority,
the only source of it
in the entire jungle.
No leopard or sloth bear
can match its grace
or the power with which
it pulls down a sambar stag
or duels with a bull guar.
Stripes, oily black,
on a burning coat of fur,
the emblazoned symbol
of an entire nation.
Humans appropriate its image,
worship its primal majesty,
fear its savagery when they step
into its isolated domain.
Yet in the face of a tiger
rests hopes for the future,
a future devoid of fear
of man-made extinction.
All things have their time,
but theirs is approaching sooner
in the form of snares, traps
and the weaponry of man.
Poets attempt to encapsulate
the tiger's immortality,
yet it is a construct,
a poetic device disguising
the battleground of the old jungles,
the trails of skins
leading across Asia.
A tigress sits in her den,
tending to her mewling cubs,
their young stripes help light the flame
which burned for millions of years,
faced with being extinguished
before its time.
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