Roving Otter knew where
to get a decent narrowboat.
He found one at a lock
by the local pub.
The pigeons did their job,
dive bombing punters
sitting at the outside table.
We took no time in boarding.
I assumed command,
Father Vole was the lookout,
Smoking Gose was our engineer,
and Otter drove the boat.
The badgers, foxes, ducks,
geese, moorhens, rabbits,
even Spencer Swan booked
a reservation on the prow.
But our favourite friend
was Manic Owl.
He brought the instruments,
drums, guitars, and saxophones.
The man arrived in time
to see us waving from the stern.
Turns out cruising's all
a narrowboat's good for.
We set up our instruments.
Otter had his bass,
Vole was on the drums,
and Goose had a piano.
Manic Owl had a saxophone,
faded gold and battered,
but it produced sweeter notes
than anything on the water.
I had my old guitar,
an archtop with a red finish.
It was the lead in a jam
with a most ear-raising tune.
Our party went on into the night,
rhythm after rhythm buzzing
off the boat and across the water
to disturb slumbering cows.
Ducks danced with rabbits,
badgers danced with geese.
Spencer Swan demonstrated
the arm-breaker swing
for a group of astonished teal,
while Owl blistered solos
on his saxophone, and we
kept the beat of our hootenanny.
Showing posts with label cow. Show all posts
Showing posts with label cow. Show all posts
Thursday, 21 February 2019
Narrowboat Hootenanny
Labels:
animals,
archtop guitar,
canal,
comedy,
cow,
geese,
guitar,
hare,
hootenanny,
jazz,
music,
narrowboat,
otter,
owl,
swan,
vole,
wildfowl,
wildlife
Friday, 10 March 2017
Untouchables
Vultures huddle in their roosts
inside the Mehrangarh Fort,
resting in the barracks
of the maharajah's army.
The fort casts its shadow
over the streets and the dunes beyond.
Vultures gaze at the seething chaos below.
Cast out from the city, ruling
the fort is their reward.
They frown at vegetarian scruples
when there is so much meat on the streets.
One spots something on the city's edge.
King vultures lead the rest
as they take off,
circling figures in the sand.
One is a cow, freshly dead;
the other is a man, a chamar.
They form an aerial wake
as the man removes the biggest
obstacle to their feast.
The man leaves with a
drum skin as the vultures
drop out of the sky and gorge
upon the reeking corpse.
Beaks tear muscle and flesh,
until the rag-and-bone birds of the desert
fly back to their fort
before the sun disappears.
inside the Mehrangarh Fort,
resting in the barracks
of the maharajah's army.
The fort casts its shadow
over the streets and the dunes beyond.
Vultures gaze at the seething chaos below.
Cast out from the city, ruling
the fort is their reward.
They frown at vegetarian scruples
when there is so much meat on the streets.
One spots something on the city's edge.
King vultures lead the rest
as they take off,
circling figures in the sand.
One is a cow, freshly dead;
the other is a man, a chamar.
They form an aerial wake
as the man removes the biggest
obstacle to their feast.
The man leaves with a
drum skin as the vultures
drop out of the sky and gorge
upon the reeking corpse.
Beaks tear muscle and flesh,
until the rag-and-bone birds of the desert
fly back to their fort
before the sun disappears.
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